Mar 29, 2022

The Grapes of Wrath

Author John Steinbeck’s epic 1936 novel of poor Oklahoma farming migrants, The Grapes of Wrath, won the Pulitzer Prize in 1940 and the Nobel Prize for Literature in 1962. Steinbeck inserted archetypal vignettes periodically into the book’s narrative flow of the Joad family. One such scene below well demonstrates Steinbeck’s literary power and his ability to evoke poignant images and emotions in telling the unforgettable story of Exodusters.

The owners of the land came onto the land, or more often a spokesman for the owners came. They came in closed cars, and they felt the dry earth with their fingers, and sometimes they drove big earth augers into the ground for soil tests. The tenants, from their sun-beaten dooryards, watched uneasily when the closed cars drove along the fields.

And at last the owner men drove into the dooryard and sat in their cars to talk out of the windows. The tenant men stood beside the cars for a while, and then squatted on their hams and found sticks with which to mark the dust.

In the open doors the women stood looking out, and behind them the children—corn-headed children, with wide eyes, one bare foot on top of the other bare foot, and the toes working. The women and the children watched their men talking to the owner men. They were silent.

Some of the owner men were kind because they hated what they had to do, and some of them were angry because they hated to be cruel, and some of them were cold because they had long ago found that one could not be an owner unless one were cold. And all of them were caught in something larger than themselves….

And at last the owner men came to the point. The tenant system won’t work any more. One man on a tractor can take the place of twelve or fourteen families. Pay him a wage and take all the crop. We have to do it. We don’t like to do it….It’s not us, it’s the bank. A bank isn’t like a man. Or an owner with fifty thousand acres, he isn’t like a man either. That’s the monster….

Sure, cried the tenant men, but it’s our land. We measured it and broke it up. We were born on it, and we got killed on it, died on it. Even if it’s no good, it’s still ours. That’s what makes it ours—being born on it, working it, dying on it. That makes ownership, not a paper with numbers on it….Grampa killed Indians, Pa killed snakes for the land. Maybe we can kill banks—they’re worse than Indians and snakes. Maybe we got to fight to keep our land, like Pa and Grampa did.

And now the owner men grew angry. You’ll have to go.

But it’s ours, the tenant men cried. We—

No. The bank, the monster owns it. You’ll have to go.

We’ll get our guns, like Grampa when the Indians came. What then?

Well—first the sheriff, and then the troops. You’ll be stealing if you try to stay, you’ll be murderers if you kill to stay. The monster isn’t men, but it can make men do what it wants.

But if we go, where’ll we go? How’ll we go? We got no money.

We’re sorry, said the owner men. The bank, the fifty-thousand-acre owner can’t be responsible. You’re on land that isn’t yours. Once over the line maybe you can pick cotton in the fall. Maybe you can on relief. Why don’t you go on west to California? There’s work there, and it never gets cold. Why, you can reach out anywhere and pick an orange. Why, there’s always some kind of crop to work in. Why don’t you go there? And the owner men started their cars and rolled away.

The tenant men squatted down on their hams again to mark the dust with a stick, to figure, to wonder. Their sunburned faces were dark, and their sun-whipped eyes were light. The women moved cautiously out of the doorways toward their men, and the children crept behind the women, cautiously, ready to run. The bigger boys squatted beside their fathers, because that made them men. After a time the women asked, What did he want?

And the men looked up for a second, and the smolder of pain was in their eyes. We got to get off. A tractor and a superintendent. Like factories.

Where’ll we go? The women asked.

We don’t know. We don’t know.

And the women went quickly, quietly back into the houses and herded the children ahead of them. They knew that a man so hurt and so perplexed may turn in anger, even on people he loves. They left the men alone to figure and to wonder in the dust.

After a time perhaps the tenant man looked about—at the pump put in ten years ago, with a goose-neck handle and iron flowers on the spout, at the chopping block where a thousand chickens had been killed, at the hand plow lying in the shed, and the patent crib hanging in the rafters over it.

The children crowded about the women in the houses. What we going to do, Ma? Where we going to go?

The women said, We don’t know, yet. Go out and play. But don’t go near your father. He might whale you if you go near him. And the women went on with the work, but all the time they watched the men squatting in the dust—perplexed and figuring.